McHappy Day & beyond
Campaign-wide reported outcomes across the fundraising journey.
A quick guide to the current case library: my role, what was made, and which results belong to the project, a team or a prototype.
Campaign-wide reported outcomes across the fundraising journey.
Agency campaign work, shown alongside labeled portfolio adaptations and format studies.
Original film frames and campaign creative; the 15-second CTV edit is a proposed portfolio study.
Competition entry: one selected work from the original five-work series. Paramount and Complex identify the competition context.
500+ is an aggregate across music projects. The t.A.T.u. anniversary packaging is an independent visual-development concept.
Sony Music-related partner projects. Streams refer to the related releases. Email, streaming and merchandise extensions are portfolio concepts.
Presented in Cannes. The cinema audience image is a screening visualization; the poster is an English portfolio adaptation.
Original social advertisements, extended through component, campaign-format and landing-page portfolio studies.
Python/FastAPI, PostgreSQL, Docker and Render prototype. Amazon Bedrock explored at concept/prototype level during the program.
Conversions refer to the broader digital work. Website awards are team recognition for the named bank projects.
Corporate-film team project in the BASF / Frandesa context. HR Brand recognition was a Silver Screen special partner prize.
Vstrecha / Global Fund, BELAU / UNICEF and Human Rights First are separate activity contexts. Images include illustrative and symbolic portfolio adaptations.
Complex — SCREAM 7 Art Competition winner; Cal Poly DxHub × AWS — competitive program selection; HR Brand — Silver Screen special partner prize for a corporate-film team project. Bank website team recognition is described in the Société Générale case.
An expert commission confirmed my professional creative-worker status on December 22, 2016; the ministry’s notification is dated December 26. This is professional recognition, not a training-course certificate or an honorary title. The personal document is retained privately.
Shortlisted as RAY for the 2016 Discovery recognition connected with my Belarusian-language music. This is a shortlist selection, not a winner claim.
Organizer’s shortlist →Admitted in 2020, as documented by my membership card. This is not the Union of Composers; admission in 2020 does not by itself establish current active membership.
Professional development funding from the Center for Cultural Innovation to support A2IM Artist Pro annual membership. The grant and the membership are distinct; no academic qualification, selective membership, or research result is implied.
Official program →